World Music: A Global Journey (3rd Edition)

World Music: A Global Journey (3rd Edition)

Andrew Shahriari, Terry E. Miller

Language: English

Pages: 616

ISBN: B01KKBAF08

Format: PDF / Kindle (mobi) / ePub


Authors Terry E. Miller and Andrew Shahriari take students around the world to experience the diversity of musical expression. World Music: A Global Journey, now in its third edition, is known for its breadth in surveying the world’s major cultures in a systematic study of world music within a strong pedagogical framework.

As one prepares for any travel, each chapter starts with background preparation, reviewing the historical, cultural, and musical overview of the region. Visits to multiple ‘sites’ within a region provide in-depth studies of varied musical traditions. Music analysis begins with an experimental "first impression" of the music, followed by an "aural analysis" of the sound and prominent musical elements. Finally, students are invited to consider the cultural connections that give the music its meaning and life.

Features of the Third Edition

Listening Guides analyze the various pieces of music with some presented in an interactive format online
Biographical highlights of performers and ethnomusicologists updated and new ones added
Numerous pedagogical aids, including "On Your Own Time" and "Explore More" sidebars, and "Questions to Consider"
Popular music incorporated with the traditional

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is now “respectable” to sing in the Isan language alone. Luk thung has given rise to star singers who, in spite of the sparseness in which they grew up, have become quite wealthy singing songs that express the feelings and lives of their compatriots. Early favorites who solidified the style in central Thailand include the late 163 6 W O R L D M U S I C : A G L O B A L J O U R N E Y female singer Pompuang Duangjan and the late male singer Suraphon Sombatjalern. Today there are too many luk

differences in musical values. These values are in large part due to differences in the function and contextual associations of the two musics. 169 6 W O R L D M U S I C : A G L O B A L J O U R N E Y The population of Java is predominantly Muslim, though the Islam here is peculiar to Java. Javanese gamelan music is frequently associated with court ritual functions, usually presided over by a sultan. The sultan is regarded as a secular authority with divine powers, and his palace grounds

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