Venice: Pure City

Venice: Pure City

Peter Ackroyd

Language: English

Pages: 432

ISBN: 0307473791

Format: PDF / Kindle (mobi) / ePub


Peter Ackroyd at his most magical and magisterial—a glittering, evocative, fascinating, story-filled portrait of Venice, the ultimate city.

The Venetians’ language and way of thinking set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land. This lat­est work from the incomparable Peter Ackroyd, like a magic gondola, transports its readers to that sensual and surprising city.

His account embraces facts and romance, conjuring up the atmosphere of the canals, bridges, and sunlit squares, the churches and the markets, the festivals and the flowers. He leads us through the history of the city, from the first refugees arriving in the mists of the lagoon in the fourth century to the rise of a great mercantile state and its trading empire, the wars against Napoleon, and the tourist invasions of today. Everything is here: the merchants on the Rialto and the Jews in the ghetto; the glassblowers of Murano; the carnival masks and the sad colonies of lepers; the artists—Bellini, Titian, Tintoretto, Tiepolo. And the ever-present undertone of Venice’s shadowy corners and dead ends, of prisons and punishment, wars and sieges, scandals and seductions.

Ackroyd’s Venice: Pure City is a study of Venice much in the vein of his lauded London: The Biography. Like London, Venice is a fluid, writerly exploration organized around a num­ber of themes. History and context are provided in each chap­ter, but Ackroyd’s portrait of Venice is a particularly novelistic one, both beautiful and rapturous. We could have no better guide—reading Venice: Pure City is, in itself, a glorious journey to the ultimate city.

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story does not stop there. Marco was a great patriot and at his own expense fitted out a galley for the war against the Genoese. At the battle of Curzola, in September 1298, Polo was captured and taken. He was incarcerated in a Genoese gaol, where he lay for about a year. During that time he became known for his fabulous stories of distant lands. And he found an amanuensis. An old man from Pisa, known as Rusticiano, took down his narrative in a curious antique French borrowed from the romances.

all trades except that of moneylending; then they were reviled for the very business they were obliged to take up. By the early sixteenth century their dwellings were scattered over the city; a series of military defeats in the same period, in battles with some of the Italian cities of the mainland, were believed to spring in part from the Venetian tolerance of the Christ-killers in their midst. God’s wrath was directed against His chosen city, exacerbating the anxiety that the Venetians always

The female parts were played by young men. They wore masks, and spoke in Venetian dialect mixed with Greek and Slavonic words. Arlecchino spoke in the dialect of Bergamo, the town in Lombardy from which many of the porters and labourers of Venice came. The actors were shown the scenario of the play but, as soon as they stepped onto the temporary stage, they invented the dialogue with a wit and vitality that were wholly native. They were often obscene, and always playful. They engaged in fevered

Empire, and a new Venetian colony of merchants was established in Istanbul. But the relationship could not endure. Mehmed increased the tariffs to be paid by Venetian ships, and entered into negotiations with the merchants of Florence. Then in 1462 the Turks seized the Venetian colony of Argos. War was declared between the empires. It was considered that by strength of numbers the Turks would succeed on land, while the Venetians would maintain their old supremacy at sea. The Venetians may have

Spain on the mainland of Italy, created further burdens for the most serene city. When the French king, Charles VIII, invaded Italy in 1494 he inaugurated a century of national unrest. His failure to take over the kingdom of Naples did not deter the other great states of the European world. Maximilian of the Hapsburgs, and Ferdinand of Spain, were both eager to exploit the rich cities of northern Italy. These states had large armies, fully exploiting the new technology of siege guns and

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