The Complete Tales and Poems of Edgar Allan Poe (Barnes & Noble Leatherbound Classic Collection)
Language: English
Pages: 1040
ISBN: 1435154460
Format: PDF / Kindle (mobi) / ePub
Edgar Allan Poe is credited with having pioneered the short story, having perfected the tale of psychological horror, and having revolutionised modern poetics. The entirety of Poe's body of imaginative work encompasses detective tales, satires, fables, fantasies, science fiction, verse dramas, and some of the most evocative poetry in the English language. This omnibus edition collects all of Poe's fiction and poetry in a single volume, including The Fall of the House of Usher," "The Tell-Tale Heart," "The Pit and the Pendulum,." "The Raven," "Annabel Lee," the full-length novel "The Narrative of Arthur Gordon Pym of Nantucket", and much more. The Complete Tales and Poems of Edgar Allan Poe is part of Barnes & Noble's Leatherbound Classics. Each title in the series presents a classic work in an attractively designed edition bound in genuine bonded leather. These books make elegant additions to any home library.
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to her leaving home. It is now madness or hypocrisy to doubt. What L’Etoile says in respect to this abbreviation of the garters being an unusual occurrence, shows nothing beyond its own pertinacity in error. The elastic nature of the clasp-garter is self-demonstration of the unusualness of the abbreviation. What is made to adjust itself, must of necessity require foreign adjustment but rarely. It must have been by an accident, in its strictest sense, that these garters of Marie needed the
in the heat of the combat, not perceiving that he was dead, continued to contest the battle with inextinguishable valor. There was nothing now to prevent my getting down from my elevation, and I did so. What it was that Pompey saw so very peculiar in my appearance I have never yet been able to find out. The fellow opened his mouth from ear to ear, and shut his two eyes as if he were endeavoring to crack nuts between the lids. Finally, throwing off his over-coat, he made one spring for the
made at regular intervals of time, but accommodate themselves to the moves of the antagonist—although this point (of regularity), so important in all kinds of mechanical contrivance, might have been readily brought about by limiting the time allowed for the moves of the antagonist. For example, if this limit were three minutes, the moves of the Automaton might be made at any given intervals longer than three minutes. The fact then of irregularity, when regularity might have been so easily
a philosopher whom we both love, has said, how truly!—“que tout notre raisonnement se réduit à céder au sentiment”; and it is not impossible that the sentiment of the natural, had time permitted it, would have regained its old ascendancy over the harsh mathematical reason of the schools. But this thing was not to be. Prematurely induced by intemperance of knowledge, the old age of the world drew on. This the mass of mankind saw not, or, living lustily although unhappily, affected not to see. But,
ninthly, the proportional equality (that of five to one) between the first line and each of its members, the dactyls; tenthly, the proportional equality (that of two to one) between each of the middle lines and its members, the dactyls; eleventhly, the proportional equality between the first line and each of the two middle—that of five to two; twelfthly, the proportional equality between the first line and the last—that of five to one; thirteenthly, the proportional equality between each of the
