Last Days of Casanova

Last Days of Casanova

Sandor L. S. G. Marai

Language: English

Pages: 84

ISBN: 0988853841

Format: PDF / Kindle (mobi) / ePub


Casanova. The name is infamous. Synonymous with lover, woman as object, woman adored, user and misogynist. Casanova’s reputation precedes him, but reputations can be deceiving. In a surreal twist, 18th Century Casanova finds himself living in the United States with hope of achieving the impossible: true love. He maneuvers through the 21st Century with both uncertainty and expertise. Why did he escape Europe? For the first time in his life, he is confronted with sexual and emotional realities not anchored in mind games, but flitting about his heart. He severs from his European past and pivots toward new American experiences which change him. He is not the classic womanizer of old. Or is he? As he seeks true love, a lost Casanova must battle the specter of Time and its agents. This seducer of women must discover the secrets that unveil the mysteries of love. Casanova must atone for his past and seek redemption if he is to free himself from the demons still haunting him. Will Time win? Will Casanova unveil, realize and be able to embrace all that fulfills the heart and inextricably ties us together?

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associations we have been conditioned to make, but it’s optimistic because it doesn’t predefine the meaning or point of life for anyone. It empowers humanity. It makes us creators of our own destinies, fates, meanings and points in life. We become Gods. Too often, many fall to the misery of not being able to conform to social expectations and live up to the predefined standards of how to live life. The poor fools cannot place themselves in the world or life because their essences as individuals

prayer. Augustine became a pillar of our faith. You see, son… What’s your name?” Giacomo replied, “Giacomo, Giacomo Casanova.” “As I was saying… You see, Giacomo, my son, God does hear prayers and he answers them, no matter the degree of difficulty and apparent impossibility. Our God is one of miracles, God of the impossible.” Giacomo and Father Merrin began a long conversation. Giacomo explained his plight with time and how he sought understanding and discernment concerning its essence -that

mid-back. It was black and pulled up in a ponytail. As she walked by with her purposeful schoolgirl look, she looked at Giacomo and gave him a big smile. The smile was warm, inviting. She slowed her pace, as if to give Giacomo the chance to stop her. Her eyes said she didn’t want to return to her table, that she’d prefer to spend the evening with Giacomo, but he said nothing. Instead, he engaged her eyes and she blushed away. At the table, Giacomo pretended the smile never happened. He looked

Oakwood. He left his glasses at home. Giacomo had difficulty reading small letters. The words on street signs, numbers nailed or glued to homes as identifiers, the ads on store fronts at a distance, all became a blur to him, an unintelligible mystery. Any attempt to read them made him dizzy. When raining or snowing, they nauseated him. More often than not, he left his glasses at home. Giacomo always made it to his destination. As he approached the ramp leading to US Route 35, he noticed a

Neal Gittleman’s Dayton Philharmonic Orchestra came to attention and with an undulating wave of the hand, the music effortlessly and tenderly erupted. On the first of the score’s assembled pages was the title, Somewhere in Time. The piano wept and the violins joined its sorrow. They cried because of the uncertainty of time, the cruel passage of time, the devouring threats of time. They cried for humans, they cried for Giacomo, the victims of time. It wasn’t long before the cello poured bass

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