Frédéric Chopin: A Guide to Research

Frédéric Chopin: A Guide to Research

William Smialek

Language: English

Pages: 208

ISBN: 2:00284187

Format: PDF / Kindle (mobi) / ePub


Frédéric Chopin: A Research and Information Guideis an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition includes research published since the publication of the first edition and provides electronic resources.

Song Man: A Melodic Adventure, or, My Single-Minded Approach to Songwriting

John Lennon: In His Own Words

A Trumpet around the Corner: The Story of New Orleans Jazz

CD-Führer Klassik (3rd Edition) (Reclam Sachbuch)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Musical examples. 360. Samson, Jim. “The Composition-Draft of the Polonaise-Fantasy: The Issue of Tonality.” Chopin Studies, ed. Jim Samson, 41–58. See 299. Combines a study of the structure of the work with its genesis as revealed in the composition-draft. Probes Chopin’s creativity and working methods. Samson explains broad cultural theories and their applications to specific musical compositions. Uses voice-leading graphs to outline the tonal structure of the Polonaise-Fantasy. Compares the

Ballade, op. 23; Nocturnes; Polonaise-fantaisie, op. 61; Sonata, op. 58; Grand waltzes in A-flat. Round Top RTR 8615. Block, Michel. Mazurkas, op. 7, nos. 2, 3; op. 17, no. 4; op. 24 nos. 1, 4; op. 30, no. 4; op. 41, nos. 1, 2; op. 50, nos. 1, 2, 3; op. 56, nos. 1, 2, 3; op. 59, nos. 1, 2; op. 63, nos. 2, 3; op. 67, no. 3; op. 68, nos. 3, 4. Pro Piano PPR 224507. Discography 127 Bonaventura, Anthony di. Chopin: Late Works. Barcarolle, op. 60; Polonaise-fantaisie, op. 61; Sonata, op. 58;

48 1831 1 January, Vienna: to Jan Matuszynski in Warsaw (Polish). A: 73, B: 73, Hedley 49, C: 62 1 January, Vienna: to Jan Matuszynski in Warsaw (Polish). A: 74, B: 74, C: 60. 142 Frédéric Chopin 29 January, Vienna: to Józef Elsner in Warsaw (Polish). A: 75, B: 75, C: 61, D: 50 1 May, Vienna: notebook entry (Polish). A: 76, B: 76, C: 67, D: 51 2 May. Written by Joseph Slavik in Chopin’s album (French). B: 77 14 May, Vienna: to his family in Warsaw (Polish). A: 77, B: 78,C: 63, D: 52, E: 26

January, Valdemosa: to Julian Fontana in Paris (Polish). A: 250, B: 288, C: 100, D: 131 15 January, Valdemosa: George Sand to Countess Carlotta Marliani in Paris (French). B: 289 22 January, Valdemosa: to Camille Pleyel in Paris (French). A: 251, B: 290, D: 132 22 January, Valdemosa: George Sand to Countess Carlotta Marliani in Paris (French). B: 291 15 February, Barcelona: George Sand to Countess Carlotta Marliani in Paris (French). B: 292, D: 133 5 March, Marseilles: George Sand to Countess

Sand to Countess Carlotta Marliani in Paris (French). B: 502 Nohant: Solange Dudevant to Maurice Dudevant in Paris (French). A: 503, B: 503 13 November, Paris: Adolphe Cremieux to F.Chopin in Paris (French). A: 408, B: 504 17 November, Nohant: George Sand to Maurice Dudevant in Paris (French). B: 505 26 November, Nohant: George Sand to Maurice Deduvant in Paris (French). B: 506, D: 213 26 November, Paris: to George Sand in Nohant (French). A: 412, B: 507, C: 195, D: 214 Autumn, Paris: Clementine

Download sample

Download

About admin